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dear-machine-number is Fleda vaguely demurred. "His dreadful quarrel?" The exchange of observations between the friends had grown very direct by the time Fleda asked Mrs. Gereth whether she literally meant to shut herself up and stand a siege, or whether it was her idea to expose herself, more informally, to be dragged out of the house by constables. "Oh, I prefer the constables and the dragging!" the heroine of Poynton had answered. "I want to make Owen and Mona do everything that will be most publicly odious." She gave it out that it was her one thought now to force them to a line that would dishonor them and dishonor the tradition they embodied, though Fleda was privately sure that she had visions of an alternative policy. The strange thing was that, proud and fastidious all her life, she now showed so little distaste for the world's hearing of the squabble. What had taken place in her above all was that a long resentment had ripened. She hated the effacement to which English usage reduced the widowed mother: she had discoursed of it passionately to Fleda; contrasted it with the beautiful homage paid in other countries to women in that position, women no better than herself, whom she had seen acclaimed and enthroned, whom she had known and envied; made in short as little as possible a secret of the injury, the bitterness she found in it. The great wrong Owen had done her was not his "taking up" with Mona—that was disgusting, but it was a detail, an accidental form: it was his failure from the first to understand what it was to have a mother at all, to appreciate the beauty and sanctity of the character. She was just his mother as his nose was just his nose, and he had never had the least imagination or tenderness or gallantry about her. One's mother, gracious heaven, if one were the kind of fine young man one ought to be, the only kind Mrs. Gereth cared for, was a subject for poetry, for idolatry. Hadn't she often told Fleda of her friend Madame de Jaume, the wittiest of women, but a small, black, crooked person, each of whose three boys, when absent, wrote to her every day of their lives? She had the house in Paris, she had the house in Poitou, she had more than in the lifetime of her husband (to whom, in spite of her appearance, she had afforded repeated cause for jealousy), because she had to the end of her days the supreme word about everything. It was easy to see that Mrs. Gereth would have given again and again her complexion, her figure, and even perhaps the spotless virtue she had still more successfully retained, to have been the consecrated Madame de Jaume. She wasn't, alas, and this was what she had at present a magnificent occasion to protest against. She was of course fully aware of Owen's concession, his willingness to let her take away with her the few things she liked best; but as yet she only declared that to meet him on this ground would be to give him a triumph, to put him impossibly in the right. "Liked best"? There wasn't a thing in the house that she didn't like best, and what she liked better still was to be left where she was. How could Owen use such an expression without being conscious of his hypocrisy? Mrs. Gereth, whose criticism was often gay, dilated with sardonic humor on the happy look a dozen objects from Poynton would wear and the charming effect they would conduce to when interspersed with the peculiar features of Ricks. What had her whole life been but an effort toward completeness and perfection? Better Waterbath at once, in its cynical unity, than the ignominy of such a mixture!.

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🎮 "I'm unhappy because I torment you, and you don't understand me." Fleda was struck, was even a little startled with the way Mrs. Gereth had turned this over—had faced, if indeed only to recognize its futility, the notion of a battle with her only son. These words led her to make an inquiry which she had not thought it discreet to make before; she brought out the idea of the possibility, after all, of her friend's continuing to live at Poynton. Would they really wish to proceed to extremities? Was no good-humored, graceful compromise to be imagined or brought about? Couldn't the same roof cover them? Was it so very inconceivable that a married son should, for the rest of her days, share with so charming a mother the home she had devoted more than a score of years to making beautiful for him? Mrs. Gereth hailed this question with a wan, compassionate smile; she replied that a common household, in such a case, was exactly so inconceivable that Fleda had only to glance over the fair face of the English land to see how few people had ever conceived it. It was always thought a wonder, a "mistake," a piece of overstrained sentiment; and she confessed that she was as little capable of a flight of that sort as Owen himself. Even if they both had been capable, they would still have Mona's hatred to reckon with. Fleda's breath was sometimes taken away by the great bounds and elisions which, on Mrs. Gereth's lips, the course of discussion could take. This was the first she had heard of Mona's hatred, though she certainly had not needed Mrs. Gereth to tell her that in close quarters that young lady would prove secretly mulish. Later Fleda perceived indeed that perhaps almost any girl would hate a person who should be so markedly averse to having anything to do with her. Before this, however, in conversation with her young friend, Mrs. Gereth furnished a more vivid motive for her despair by asking how she could possibly be expected to sit there with the new proprietors and accept—or call it, for a day, endure—the horrors they would perpetrate in the house. Fleda reasoned that they wouldn't after all smash things nor burn them up; and Mrs. Gereth admitted when pushed that she didn't quite suppose they would. What she meant was that they would neglect them, ignore them, leave them to clumsy servants (there wasn't an object of them all but should be handled with perfect love), and in many cases probably wish to replace them by pieces answerable to some vulgar modern notion of the convenient. Above all, she saw in advance, with dilated eyes, the abominations they would inevitably mix up with them—the maddening relics of Waterbath, the little brackets and pink vases, the sweepings of bazaars, the family photographs and illuminated texts, the "household art" and household piety of Mona's hideous home. Wasn't it enough simply to contend that Mona would approach Poynton in the spirit of a Brigstock, and that in the spirit of a Brigstock she would deal with her acquisition? Did Fleda really see her, Mrs. Gereth demanded, spending the remainder of her days with such a creature's elbow in her eye?!

🏆 "You mean, even if she doesn't let you off? Ah, you ask me too much!" Fleda spoke from the tiny hall, where she had taken refuge between the old barometer and the old mackintosh. "There are things too utterly for yourselves alone. How can I tell? What do I know? Good-bye, good-bye! If she doesn't let you off, it will be because she is attached to you." "Your issue?" Fleda murmured.!

🔥 Download dear-machine-number "Why, for you, of course, dearest friend!" Fleda interjected, falling instinctively into the address that embodied the intensest pressure. She wanted to put Mrs. Gereth between her and her danger. He only, at this, like a buffeting swimmer, gave a shake of his head and repeated his question. "Do you mean to tell me I must marry such a woman?"!🔥